As America marks 250 years, Step Afrika! premieres The Fruits of Our Labor—a work that examines what it means to build, to belong, and to believe in a nation still in the making.

Created in collaboration and conversation with Jakari Sherman, Conrad R. Kelly II, and Vusi Mdoyi, The Fruits of Our Labor pushes the boundaries of percussive dance while drawing from traditions that continue to shape Black expression and cultural identity across the diaspora.  Be the first to see this powerful new production exploring rhythm, resilience, and the unfinished story of the American experience.

As America marks 250 years, Step Afrika! premieres The Fruits of Our Labor—a work that examines what it means to build, to belong, and to believe in a nation still in the making.

Created in collaboration and conversation with Jakari Sherman, Conrad R. Kelly II, and Vusi Mdoyi, The Fruits of Our Labor pushes the boundaries of percussive dance while drawing from traditions that continue to shape Black expression and cultural identity across the diaspora.  Be the first to see this powerful new production exploring rhythm, resilience, and the unfinished story of the American experience.

Runtime is approximately 75–80 minutes with no intermission.

Critics are Raving

  • An “awe-inspiring and soul-stirring world premiere dance spectacular” – DC Theater Arts
  • “An exhilarating evening of entertainment while holding strong to the notion that history is everyone’s to be interpreted, and subsequently reinterpreted, in deeply meaningful ways. …Physical, electric, and heart-pounding.”- MD Theatre Guide
  • “The high-energy, profoundly moving performance style encouraged passionate outcries from the crowd and made them a part of the music.” – BroadwayWorld

 

The Fruits of Our Labor is made possible through the extraordinary generosity and visionary support of Tiffeny Sanchez and Reg Brown, Lead Sponsors of the production and national tour.

 Lead Commissioning Support is provided by ASU Gammage and the Charleston Gaillard Center. Additional Commissioning Support is provided by The Modlin Center for the Arts at the University of Richmond; Performing Arts Houston; and the Younes and Soraya Nazarian Center for the Performing Arts.

PC: Teresa Castracane